Уважаемые зрители, 

касса, фойе и книжный магазин закрыты до 28 августа.
По вопросам покупки билетов можно писать на электронную почту kassir@electrotheatre.ru

Кадр из кинотриптиха «Безумный ангел Пиноккио»

The Mad Angel Pinocchio. World premiere of a film triptych by Boris Yukhananov

presented by KARO.Art and the Stanislavsky Electrotheatre
Director: Boris YukhananovWatch the trailer
Share this:

Duration: 4 часа 15 минут с двумя антрактами

The world premiere of Boris Yukhananov's film triptych is based on Andrei Vishnevsky's play The Mad Angel Pinocchio, as performed under the title of Pinocchio at the Stanislavsky Electrotheatre. It was a winner of multiple Golden Mask National Awards in 2021.

The film premiere will take place March 6 in the main hall of the Oktyabr cinema center. The screening will be followed by a discussion with Boris Yukhananov. The film will run with two intermissions beginning at 3 p.m.

TICKETS

On March 18, the film will be released exclusively throughout the network of KARO cities: Moscow, St. Petersburg, Kaliningrad, Samara, Novosibirsk, Yekaterinburg, Tyumen and Surgut.

 

«The path of Pinocchio is the path of an angelic soul entering the middle world, that is, a world in which a human is displaced by what is inhuman,» said Boris Yukhananov. «The pure soul of a wooden man takes on the perniciousness of this reality, and theatre is the magnifying glass which turns the embers of this filth into a conflagration. However, the mad angel Pinocchio passes through this flame and, as must happen in fairy tales, a consciousness is formed that no one can do anything about. Pinocchio is a story of indestructible purity that withstands the onslaught of manipulative reality.

In the language of the film, we sought to combine the requisite beauty that theatre provides with the spectacularity that should be present in a fairy tale, and, without which, I would say, the miracle of identification will not and cannot take place in cinema. That remains true even if this film is made in a mode of concentration that our current world allows us today. Everything was filmed on set. We sought a manner of filming, editing, and organization of light and music, wherein we would not miss the charm of a big story - and a fairy tale is always that, deeply immersed by plot in exaggerated theatricality, in theatre as a reflective image of the world.»

 

«The premiere and further distribution of Boris Yukkhananov’s film triptych of Pinocchio in the KARO cinema chain as part of the KARO.Art project is a unique event for moviegoers and fans of theatrical art. This is our first step in cooperation with the Stanislavsky Electrotheatre. I am sure that future collaborative plans will delight and surprise the audience,» said Maya Manerova, Vice President for Film Screening Management at KARO.

 

The film stars Maria Belyaeva as Pinocchio. It also features the legendary Russian actor Vladimir Korenev (1940-2021) in his last roles, the Old Man and the King.
Also featured are young theatre and film stars Anton Lapenko, Boris Dergachyov, Dmitry Chebotaryov and Anton Filipenko.

Read more

PINOCCHIO. FOREST. PART ONE. BIRTH OR FATHER

The surgeon Geppetto and his assistant Cherry receive the birth of a boy in the Magic Forest. This Little Man born of a Tree is brought to maturity in a flask in Geppetto's laboratory, but then escapes. Surviving numerous dangerous adventures, Pinocchio returns home, and falls asleep by the oven where he is burned to a crisp. Geppetto rebuilds Pinocchio. He makes him new legs and takes him into the Magical Forest, where Pinocchio is dressed in a thin robe of forest matter. Gepetto goes to the city to exchange his cloak for a grammar book that he will give to Pinocchio.

 

PINOCCHIO. THEATRE. PART TWO. ROSE AND RAFFLESIA OR THEATRE

Entranced by music he hears, Pinocchio sells his grammar book and, instead of going to school, buys a ticket to the Theatre. A string of magical episodes passes before Pinocchio's eyes before a Rose woven of Light appears to him. Pinocchio, having ascended from the hall to the stage, enters the radiance of the Rose and disrupts an ongoing performance.

For disrupting the performance, the director of the Mangiafuoco Theatre sentences Pinocchio to be burned, but chooses instead to punish Pinocchio, a theatrical neophyte, by «hooking» him on Theatre as if it were a drug, so that all life beyond the stage seems to Pinocchio a living hell. With the aim of making Pinocchio a «Theatre addict,” Mangiafuoco arranges for the young man a tour of all the halls and levels of the building.

Pinocchio learns that the Theatre is an entirely uncommon phenomenon, located simultaneously in different layers of time: in our time, and at that moment in the history of Genesis when mankind lost Paradise. Pinocchio encounters a swarm of angelic creatures that have lost their Eden. Creatures fall in streams from a giant rose. The Theatre building (a «Needle») is located inside this Stream, while the «Needle» is pointed at the core of the Rose.

Mangiafuoco shows Pinocchio how he lures angels to his theatre with the help of Rafflesia - predatory flowers that absorb any living creature, fascinated by their smell and beauty.

Pinocchio discovers that Vaclav Nijinsky, the finest of all theatre creatures, exists inside Mangiafuoco, and represents what Mangiafuoco himself once was. Pinocchio helps Nijinsky's «inner being» leave Mangiafuoco’s shell temporarily. But Mangiafuoco brings Nijinsky back, and throws Pinocchio out of the theatre. Whirlwinds carry Pinocchio to the center of the Rose.

«В новом театральном мини-сериале присутствует всё, за что мы любим Электротеатр, – визуальные сенсации с участием стихий огня и воды, воздуха и земли, сценические бури, нечеловеческие страсти, театральная магия и алхимия, архаика и немыслимая для Москвы техническая оснащенность. И будь у древних мистагогов такие возможности воздействовать на тайные миры, как у Электротеатра, мы, «племя существ, награжденных носами, но лишенных разума», жили бы сейчас в каком-то другом мире» — Бредихина Людмила. Зачем в Электротеатре Станиславский выпустили сразу двух «Пиноккио»
«This new theatrical mini-series contains everything we love about the Stanislavsky Electrotheatre - visual sensations involving the elements of fire, water, air, and earth, theatrical storms, inhuman passions, theatrical magic and alchemy, archaism and a technical prowess that is unthinkable in Moscow. If the ancient mystagogues had possessed such opportunities to influence the secret worlds as does the Electrotheatre, we, ‘a tribe of creatures awarded with noses, but devoid of reason,’ would now live in another world.» – Lyudmila Bredikhina. «Why did the Stanislavsky Electrotheatre premiere two Pinocchios at once?»

Performers

Пиноккио
Maria Belyaeva
ИНОСТРАНЕЦ
Anton Lapenko
АРЛЕКИН
Dmitry Chebotaryov
АРЛЕКИН
Pavel Kravets
АРЛЕКИН
Vera Kuznetsova
ПЬЕРО
Anton Kapanin
ПЬЕРО
Anton Kostochkin
ПЬЕРО
Yevgeny Kapustin
МЯСО
Maxim Derichev
МЯСО
Anton Filipenko
РАФФЛЕЗИЯ
Azamat Nigmanov
РАФФЛЕЗИЯ
Yevgeny Kapustin
ТАНЦОВЩИЦЫ
Yekaterina Andreeva
ТАНЦОВЩИЦЫ
Yulia Abdel Fattah
ТАНЦОВЩИЦЫ
Yekaterina Kudinskaya
МОНАШКА
Lyudmila Myagkaya
ВЕДЬМА
Alexandra Polonick
КОЗЕЛ
Vitaly Terekhovsky
КОРОЛЕВА ФЕЙ ТИТАНИЯ
Diana Rakhimova
КОРОЛЕВА ФЕЙ ТИТАНИЯ
Inna Golovina
КОРОЛЕВА ФЕЙ ТИТАНИЯ
Irina Koreneva
МАНДЖАФОККО
Yury Duvanov
МАНДЖАФОККО
Igor Lysov
АКТЕР ТЕАТРА МАНДЖАФОККО
Alexander Miloserdov
АКТЕР ТЕАТРА МАНДЖАФОККО
Darya Kolpikova
АКТЕР ТЕАТРА МАНДЖАФОККО
Diana Rakhimova
АКТЕР ТЕАТРА МАНДЖАФОККО
Lyudmila Myagkaya
АКТЕР ТЕАТРА МАНДЖАФОККО
Alexandra Polonick
АКТЕР ТЕАТРА МАНДЖАФОККО
Yekaterina Kudinskaya
АКТЕР ТЕАТРА МАНДЖАФОККО
Andrei Ostrovsky
ЗРИТЕЛЬ ТЕАТРА МАНДЖАФОККО
Lyudmila Rozanova
ЗРИТЕЛЬ ТЕАТРА МАНДЖАФОККО
Yulia Belyaeva
ЗРИТЕЛЬ ТЕАТРА МАНДЖАФОККО
Andrei Ostrovsky
ЗРИТЕЛЬ ТЕАТРА МАНДЖАФОККО
Lina Langner
ЗРИТЕЛЬ ТЕАТРА МАНДЖАФОККО
Andrei Yemelyanov
ЗРИТЕЛЬ ТЕАТРА МАНДЖАФОККО
Pavel Shumsky
ЗРИТЕЛЬ ТЕАТРА МАНДЖАФОККО
Varvara Pushkarskaya
ЗРИТЕЛЬ ТЕАТРА МАНДЖАФОККО
Fyodor Borisenko
ЗРИТЕЛЬ ТЕАТРА МАНДЖАФОККО
Tatyana Ukharova
ЗРИТЕЛЬ ТЕАТРА МАНДЖАФОККО
Tatyana Nazarova
ЗРИТЕЛЬ ТЕАТРА МАНДЖАФОККО
Tatyana Maist
ЗРИТЕЛЬ ТЕАТРА МАНДЖАФОККО
Nina Firsova
ЗРИТЕЛЬ ТЕАТРА МАНДЖАФОККО
Nikolai Trifilov
ЗРИТЕЛЬ ТЕАТРА МАНДЖАФОККО
Mikhail Sokolov
ЗРИТЕЛЬ ТЕАТРА МАНДЖАФОККО
Alexander Miloserdov
ЗРИТЕЛЬ ТЕАТРА МАНДЖАФОККО
Lera Gorin
ЗРИТЕЛЬ ТЕАТРА МАНДЖАФОККО
Yelena Klishchevskaya
ЗРИТЕЛЬ ТЕАТРА МАНДЖАФОККО
Yevgeny Sergeev
ЗРИТЕЛЬ ТЕАТРА МАНДЖАФОККО
Yevgeny Samarin
ЗРИТЕЛЬ ТЕАТРА МАНДЖАФОККО
Darya Kolpikova
ЗРИТЕЛЬ ТЕАТРА МАНДЖАФОККО
Anton Torsukov
ЗРИТЕЛЬ ТЕАТРА МАНДЖАФОККО
Anna Senina
ЗРИТЕЛЬ ТЕАТРА МАНДЖАФОККО
Anna Mavlitova
ЗРИТЕЛЬ ТЕАТРА МАНДЖАФОККО
Anna Kapalyova
ЗРИТЕЛЬ ТЕАТРА МАНДЖАФОККО
Anna Antosik
ЗРИТЕЛЬ ТЕАТРА МАНДЖАФОККО
Anastasia Ksenofontova
ЗРИТЕЛЬ ТЕАТРА МАНДЖАФОККО
Alexander Sinyukov
АНГЕЛЫ
Alla Kazakova
АНГЕЛЫ
Vladimir Dolmatovsky
АНГЕЛЫ
Irina Savitskova
АНГЕЛЫ
Maria Chirkova
АНГЕЛЫ
Igor Makarov
АНГЕЛЫ
Yuriy Vasilev
АНГЕЛЫ
Uliana Lukina
ДЖЕПЕТТО
Alexander Panteleev
ВИШНЯ
Nikolai Trifilov
СВЕРЧОК
Anna Daukaeva
СВЕРЧОК
Yevgeny Samarin
ПТЕНЧИК
Azamat Nigmanov
ПТЕНЧИК
Boris Dergachyov
ДОРОГАЯ
Anna Antosik
ДОРОГАЯ
Anna Kapalyova
ДОРОГАЯ
Darya Kolpikova
ДОРОГАЯ
Lyudmila Myagkaya
ДОРОГАЯ
Olga Bynkova
ДОРОГАЯ
Yekaterina Kudinskaya
ЛЕСНОЕ СУЩЕСТВО
Andrei Anisimov
ЛЕСНОЕ СУЩЕСТВО
Georgy Grishchenkov
ЛЕСНОЕ СУЩЕСТВО
Dmitry Mikirtumov
ЛЕСНОЕ СУЩЕСТВО
Natalia Afanasyeva
ЛЕСНОЕ СУЩЕСТВО
Alisa Sviridova
ЛЕСНОЕ СУЩЕСТВО
Artyom Bogucharsky
ЛЕСНОЕ СУЩЕСТВО
Raisa Doschanova
ЛЕСНОЕ СУЩЕСТВО
Anastasia Kazantseva
ЛЕСНОЕ СУЩЕСТВО
Pavel Maximenko
КОРОЛЬ-БРЕЖНЕВ
Vladimir Korenev
ШАРМАНЩИК
Nikolai Trifilov
КОНТРОЛЬ
Maxim Derichev
КАССА
Anna Antosik
КАССА
Anna Kapalyova
ОФИЦИАНТ
Dmitry Myagky
ДЗАНИ
Vladimir Dolmatovsky
ДЖАНК-ПАЯЦЫ
Yelena Klishchevskaya
ДЖАНК-ПАЯЦЫ
Leonid Zverintsev
ДЖАНК-ПАЯЦЫ
Lyudmila Rozanova
ДЖАНК-ПАЯЦЫ
Nikolai Trifilov
ДЖАНК-ПАЯЦЫ
Nina Firsova
ДЖАНК-ПАЯЦЫ
Tatyana Maist
ДЖАНК-ПАЯЦЫ
Tatyana Nazarova
ДЖАНК-ПАЯЦЫ
Tatyana Ukharova