Orphic Games. Punk-macrame
Evening Fourth

Orphic Games. Punk-Macrame is a new-processual project of the Stanislavsky Electrotheatre, a single work in 33 acts, presented in 12 productions as if in the space of 12 rooms, the walls of which are decorated with 33 frescos.

The space of the Orphic myth is revealed to you over the course of six days and evenings.

A single stream of 12 productions:

Orphic Games. Punk-macrame. Day 1
Orphic Games. Punk-macrame. Evening 1
Orphic Games. Punk-macrame. Day 2
Orphic Games. Punk-macrame. Evening 2
Orphic Games. Punk-macrame. Day 3
Orphic Games. Punk-macrame. Evening 3
Orphic Games. Punk-macrame. Day 4
Orphic Games. Punk-macrame. Evening 4

GAME XIX

Director-author of initial work: Vladlena Sandu

Performers: Yevgeny Vikharev, Vyacheslav Kornichenko, Alina Kotova, Alexei Kokhanov, Ulyana Lukina, Denis Prutov, Vladlena Sandu, Svetlana Sataeva, Andrei Sergeev

Texts
Eurydice
Jean Anouilh
Translated by Yelena Babun

Music
Sound Interiors: Kirill Shirokov and Vladlena Sandu

Two Little Whos
Music by Kirill Shirokov
Score based on the texts of Edward Estlin Cummings
Performed by Alina Kotova

Video Content
Fragment from Holy God
Director: Vladlena Sandu
Studio Rock

GAME XX

Director-author of initial work: Danaya Davydova

Performers: Yury Vasilyev, Demyan Vodkin, Darya Gusakova, Danaya Davydova, Yevgeny Dal, Maria Dorogova, Lyudmila Zaitseva, Gulnara Iskakova, Igor Makarov, Andrei Sergeev, Ivan Svatkovsky, Mikhail Taratin

Texts
Eurydice
Jean Anouilh
Translated by Yelena Babun

Music
Soundscapes: Vladimir Gorlinsky
Sound Interiors: Kirill Shirokov

“Space”
Written and composed by T.A.T.U.
Performed by Yevgeny Dal

Video Content
“Eurydice is a Myth”
Director: Danaya Davydova
Operator: Yelena Muchnaya

Orphic Games. Punk-macrame. Day 5
Orphic Games. Punk-macrame. Evening 5
Orphic Games. Punk-macrame.Day 6
Orphic Games. Punk-macrame. Evening 6

Isomorphism (from ancient Greek - ἴσος - "equal, identical, similar" and μορφή - "form"). Isomorphism is defined for sets endowed with some structure (for example, for groups, rings, linear spaces, etc.). In general terms it may be described as follows: an invertible mapping (bijection) between two sets endowed with a structure that is called an isomorphism if it preserves this structure.

A bijection is a mapping that is both surjective and injective. In bijective mapping, one element of a set corresponds exactly to each element of the other set, while an inverse mapping is defined that has the same property. Therefore, a bijective mapping is also called mutually identical mapping (correspondence), or one-to-one mapping.

The function
f : : X → → Y is called a bijection if:
1) It translates various elements of the set X into different elements of the set Y (injectivity). In other words,
• ∀ ∀ x 1
∈ ∈ X , 
∀ ∀ x 2
∈ ∈ X 
x 1
≠ ≠ x 2
⇒ ⇒ f ( x 1
) ≠ ≠ f ( x 2
)
2) Any element of Y has its inverse image (surjectivity). In other words,
∀ ∀ y ∈ ∈ Y , 
∃ ∃ x ∈ ∈ X 
f ( x ) = y

An injection in mathematics is the mapping of set X into set Y f : : X → → Y
whereby different elements of set X are translated into different elements of set Y, that is, if two images under the mapping coincide, then the preimages also coincide:
f ( x ) = f ( y ) ⇒ ⇒ x = y

Surjection (surjective mapping, from French sur - "to", "over" + Latin jactio - "I throw") is the mapping of set X to set Y f:: X → Y
whereby each element of set Y is the image of at least one element of set X.

Isorhythm (German: Isorhythmie) is a technique of composition in European polyphonic music of the 14th and 15th centuries, expressed in the ostinato holding of a rhythmic formula, regardless of the pitch.

Wikipedia