Orphic Games. Punk-macrame
Evening Sixth

Orphic Games. Punk-Macrame is a new-processual project of the Stanislavsky Electrotheatre, a single work in 33 acts, presented in 12 productions as if in the space of 12 rooms, the walls of which are decorated with 33 frescos.

The space of the Orphic myth is revealed to you over the course of six days and evenings.

A single stream of 12 productions:

Orphic Games. Punk-macrame. Day 1
Orphic Games. Punk-macrame. Evening 1
Orphic Games. Punk-macrame. Day 2
Orphic Games. Punk-macrame. Evening 2
Orphic Games. Punk-macrame. Day 3
Orphic Games. Punk-macrame. Evening 3
Orphic Games. Punk-macrame. Day 4
Orphic Games. Punk-macrame. Evening 4
Orphic Games. Punk-macrame. Day 5
Orphic Games. Punk-macrame. Evening 5
Orphic Games. Punk-macrame.Day 6
Orphic Games. Punk-macrame. Evening 6

GAME XXX

Director-authors of initial works: Anna Buvina, Maria Dorogova, Ada Karina, Vyacheslav Kornichenko, Alina Kotova, Pavel Kravets, Georgy Mansurov

Performers: Anna Buvina, Maria Dorogova, Vyacheslav Kornichenko, Pavel Kravets, Georgy Mansurov, Vagan Saroyan, Svetlana Sataeva, Khachatur Khachaturyan

Texts

Orpheus
Jean Cocteau
Translated by Leonid Tsyvyan

Music

Soundscapes: Vladimir Gorlinsky
Sound Interiors: Kirill Shirokov

“Innocent”
Performed by Fleshquartet, 1995

“Thirty Pages”
Music by Kirill Shirokov
Performed by Rossia, the Lyudmila Zykina Russian Folk Ensemble

Chorale
Music by Vladimir Gorlinsky
Performed by Rossia, the Lyudmila Zykina Russian Folk Ensemble

“Grapes”
Music by Georgy Mansurov
Written by Svetlana Sataeva
Performed by and Svetlana Sataeva
Musician: Georgy Mansurov

Video Content

“The Beauty and the Beast”
Director: Ada Karina

GAME XXXI

Director-authors of initial works: Yevgenia Vesnina, Darya Gusakova, Lyudmila Zaitseva, Vyacheslav Kornichenko, Ksenia Mishina, Alexandra Moroz, Yevgenia Selivanova

Performers: Aneta Argandevols, Nikolai Berman, Dmitry Borisov, Nika Vashakidze, Lyudmila Zaitseva, Alexandra Ioshchenko, Vyacheslav Kornichenko, Alina Kotova, Alexei Kokhanov, Yekaterina Loginova, Ulyana Lukina, Igor Makarov, Alexandra Moroz, Kristina Rabotenko, Vera Romanova, Vagan Saroyan, Anton Savvatimov, Anna Chernovich, Yekaterina Shevchenko

Texts

Eurydice
Jean Anouilh
Translated by Yelena Babun

Music
Soundscapes: Vladimir Gorlinsky
Sound Interiors: Kirill Shirokov

“Song of Orpheus”
Music by Vladimir Gorlinsky
Performed by Alexei Kokhanov

“Score for Typewriters”
Music by Kirill Shirokov
Performed by Lyudmila Zaitseva, Yekaterina Loginova, Alexandra Ioshchenko, Anna Chernovich, Aneta Argandevols

“Lofti ver ur skyndilega kalt”
Performed by Olafur Arnalds
“Paint It Black”
Performed by The Rolling Stones

GAME XXXII

Director-authors of initial works: Darya Koltsova, Yekaterina Loginova, Maria Plotnikova

Performers: Aruan Anartaev, Darya Gusakova, Yevgeny Dal, Alesya Ignatova, Mikhail Kudinov, Polina Kuzmina, Viktoria Lebed, Yekaterina Loginova, Maria Plotnikova, Alexei Eidlin

Texts

Eurydice
Jean Anouilh
Translated by Yelena Babun

Music
Guitar Improvisation
Performed by Alexei Eidlin

“Empathy”
Performed by Kelsey Lu

Video Content

“So Difficult”
Director: Darya Koltsova

GAME XXXIII

Director-author of initial work: Yulia Savchenko

Performers: Ksenia Bakhtina, Nikolai Berman, Maria Beatty, Yury Vasilyev, Nika Vashakidze, Alexandra Verkhoshanskaya, Yevgenia Vesnina, Yevgeny Dal, Kaleria Dyomina, Yelena Dolgaya, Sergei Zhivotov, Lyudmila Zaitseva, Alesya Ignatova, Darya Koltsova, Alina Kotova, Viktoria Lebed, Yekaterina Loginova, Sergei Malinin, Alexandra Moroz, Yelena Muchnaya, Anton Oshchepkov, Viktoria Petrenko, Maria Plotnikova, Denis Prutov, Vera Romanova, Maria Rukhadze, Yevgenia Selivanova, Tatyana Simonenkova, Anna Sokolenko, Maria Fomina, Anna Khlyostkina, Dmitry Khramtsov, Maria Cherkashina, Anna Chernovich, Alexei Eidlin

Texts

Orpheus
Jean Cocteau
Translated by Yury Tsivyan

Ninety Years Later
Joseph Brodsky
Translated by Alexander Sumerkin
Edited by Viktor Golyshev
From On Grief and Reason

“Orpheus. Eurydice. Hermes”
Rainer Maria Rilke
Translated by Konstantin Bogatyryov

Music

Cantata
Music by Fyodor Sofronov
Choirmaster, conductor: Dmitry Matvienko
Narrative Chorus: Nikolai Berman, Maria Beatty, Yevgenia Vesnina, Yevgeny Dal, Sergei Zhivotov, Lyudmila Zaitseva, Alesya Ignatova, Yekaterina Loginova, Viktoria Petrenko, Denis Prutov, Tatyana Simonenkova, Anna Sokolenko, Maria Fomina
Singing Chorus:Ksenia Bakhtina, Alexandra Verkhoshanskaya, Kaleria Dyomina, Yelena Dolgaya, Darya Koltsova, Alina Kotova, Viktoria Lebed, Alexandra Moroz, Yelena Muchnaya, Yevgenia Selivanova, Anna Khlyostkina, Anna Chernovich
Soloist: Sergei Malinin
Musicians: Vera Romanova, Alexei Eidlin, Dmitry Khramtsov, Darya Zvezdina, Maria Tkachyova

“The Railway”
Score for Electronic Instrument
Music by Vladimir Gorlinsky
Performed by Maria Beatty, Daria Koltsova, Viktoria Lebed, Alexandra Moroz, Yelena Muchnaya, Anna Sokolenko, Anna Khlyostkina
Conducted by Anton Oshchepkov

Isomorphism (from ancient Greek - ἴσος - "equal, identical, similar" and μορφή - "form"). Isomorphism is defined for sets endowed with some structure (for example, for groups, rings, linear spaces, etc.). In general terms it may be described as follows: an invertible mapping (bijection) between two sets endowed with a structure that is called an isomorphism if it preserves this structure.

A bijection is a mapping that is both surjective and injective. In bijective mapping, one element of a set corresponds exactly to each element of the other set, while an inverse mapping is defined that has the same property. Therefore, a bijective mapping is also called mutually identical mapping (correspondence), or one-to-one mapping.

The function
f : : X → → Y is called a bijection if:
1) It translates various elements of the set X into different elements of the set Y (injectivity). In other words,
• ∀ ∀ x 1
∈ ∈ X , 
∀ ∀ x 2
∈ ∈ X 
x 1
≠ ≠ x 2
⇒ ⇒ f ( x 1
) ≠ ≠ f ( x 2
)
2) Any element of Y has its inverse image (surjectivity). In other words,
∀ ∀ y ∈ ∈ Y , 
∃ ∃ x ∈ ∈ X 
f ( x ) = y

An injection in mathematics is the mapping of set X into set Y f : : X → → Y
whereby different elements of set X are translated into different elements of set Y, that is, if two images under the mapping coincide, then the preimages also coincide:
f ( x ) = f ( y ) ⇒ ⇒ x = y

Surjection (surjective mapping, from French sur - "to", "over" + Latin jactio - "I throw") is the mapping of set X to set Y f:: X → Y
whereby each element of set Y is the image of at least one element of set X.

Isorhythm (German: Isorhythmie) is a technique of composition in European polyphonic music of the 14th and 15th centuries, expressed in the ostinato holding of a rhythmic formula, regardless of the pitch.

Wikipedia