Dear Spectators!

We are cancelling nothing. Throughout the period from October 28 to November 7 we will perform, screen films, and host all concerts as planned.

However, beginning on October 28, spectators will be admitted to performances and events at the Electrotheatre only by presenting a QR code and an ID. The QR code may be presented as a printout or on a smartphone screen.

For those who have not managed to receive a QR code, we will have a free express testing point.
If you wish not to visit the theatre between October 28 and November 7, then, until November 1, you may receive a refund of the full cost of any tickets you purchased in advance. For more information, call us at +7 (495) 699-72-24, or by writing to

Vladimir Gorlinsky


Composer, improvisor, organizer of musical events. Gorlinsky graduated from the Moscow Conservatory where he studied under (class of Vladimir Tarnopolsky). He teaches in the Department of Contemporary Music of the Moscow Conservatory and teaches courses in improvisation. He is the author of spatial sound compositions (spatial games) created for the Rachmaninov Hall of the Conservatory (2011), Lifkenshuuk Fortress (Belgium 2012, 2013), CEH Manege (2013, 2016), STUK Academy (Belgium, 2013), the Winery (2014) ), the Not Yet Discovered Space (2015) and the Marble Hall of the Russian Museum (St. Petersburg, 2016).

He is the creator of Dreamtory, an exploration of time that consists of hours-long performances of music, during which participants may fall asleep and wake up without ceasing to participate in the musical work.
He (or his compositions) has performed in international festivals and projects in Germany, Poland, Italy, Spain, France, the Netherlands, Austria, Belgium, Switzerland, Sweden, Ireland, China, Ukraine and Russia.
He collaborates with such directors as Kirill Serebrennikov, Boris Yukhananov, Maria Chirkova, Olga Lukicheva, and also with choreographer Olga Tsvetkova.

He is an active participant on the Moscow improvisational stage. He is a co-founder and participant of the MNAU duet and the group Chthonic Loss.

He has composed music for several productions at the Stanislavsky Electrotheatre: The Visit (2017), directed by Oleg Dobrovolsky; For a Wise Man (2017), directed by The Director; Love Machines (2016), directed by Maria Chirkova; and was the orchestra conductor for The Blue Bird, directed by Boris Yukhananov.

Roles in the the Stanislavsky Electrotheatre
2016Drug Dealer, Maniagnosis, directed by Alexander Belousov
2016Improvisational Musician, Love Machines, directed by Maria Chirkova
Roles in the Moscow Drama theatre named after K.S. Stanislavsky
2018Orphic Games. Punk-macrame, directed by Boris Yukhananov
2018Maniozis - 2, directed by Alexander Belousov
2017The Visit, directed by Oleg Dobrovolsky
2017For a Wise Man, directed by Georgy Grishchenkov
2017Zoika's Apartment, directed by Olga Lukichyova
2016Love Machines, directed by Maria Chirkova
2015The Blue Bird, directed by Boris Yukhananov
2015Max Black, or 62 Ways of Supporting the Head with a Hand, directed by Heiner Goebbels