Orphic Games. Punk-macrame
Day Sixth

Orphic Games. Punk-Macrame is a new-processual project of the Stanislavsky Electrotheatre, a single work in 33 acts, presented in 12 productions as if in the space of 12 rooms, the walls of which are decorated with 33 frescos.

The space of the Orphic myth is revealed to you over the course of six days and evenings.

A single stream of 12 productions:

Orphic Games. Punk-macrame. Day 1
Orphic Games. Punk-macrame. Evening 1
Orphic Games. Punk-macrame. Day 2
Orphic Games. Punk-macrame. Evening 2
Orphic Games. Punk-macrame. Day 3
Orphic Games. Punk-macrame. Evening 3
Orphic Games. Punk-macrame. Day 4
Orphic Games. Punk-macrame. Evening 4
Orphic Games. Punk-macrame. Day 5
Orphic Games. Punk-macrame. Evening 5
Orphic Games. Punk-macrame.Day 6

GAME XXVII

Director-authors of initial works: Viktoria Lebed, Igor Makarov

Performers: Maria Beatty, Yury Vasilyev, Yevgeny Vikharev, Yevgeny Dal, Danaya Davydova, Maria Dorogova, Darya Koltsova, Alexei Kruglov, Viktoria Lebed, Ulyana Lukina, Igor Makarov, Alexandra Moroz, Yelena Muchnaya, Anton Oshchepkov, Kristina Rabotenko, Ivan Svatkovsky, Anna Sokolenko, Anna Khlyostkina

Texts

Orpheus
Jean Cocteau
Translated by Leonid Tsyvyan

Music

“Discrete Continuity”
Score for Electronic Instrument
Music by Kirill Shirokov
Performed by Danaya Davydova, Yelena Muchnaya, Anna Khlyostkina, Alexandra Moroz, Darya Koltsova, Anna Sokolenko, Maria Beatty
Conducted by Anton Oshchepkov

“Death Show”
Score for Electronic Instrument
Music by Vladimir Gorlinsky
Performed by Danaya Davydova, Yelena Muchnaya, Anna Khlyostkina, Alexandra Moroz, Darya Koltsova, Anna Sokolenko, Maria Beatty

“The Show Must Go On”
Music by Queen, Brian May, Freddie Mercury
Performed by Yevgeny Dal

GAME XXVIII

Director-authors of initial works: Maria Plotnikova, Yevgenia Selivanova, Darya Khutskaya

Performers: Alexei Alexeev, Dmitry Borisov, Yevgenia Vesnina, Yelena Dolgaya, Arina Zvereva, Anna Pankina, Maria Plotnikova, Anna Khlyostkina
On video: Anna Buvina, Kaleria Dyomina, Viktoria Lebed, Yekaterina Loginova, Anna Pankina, Yulia Savchenko

Texts

Eurydice
Jean Anouilh
Translated by Yelena Babun

The Unbearable Lightness of Being
Milan Kundera
Translated by Nina Shulgina

Music

Soundscapes: Vladimir Gorlinsky
Sound Interiors: Kirill Shirokov

Radio Orpheus / “Romantic”
Authors: Vladimir Gorlinsky, Dmitri Kourliandski and Oleg Makarov
Music by Tatyana Mizgireva

Songs of Eurydice, “Aria №1”
Music by Dmitri Kourliandski
Performed by Arina Zvereva

Video Content

“Painful Beauty of Endless Dream”
Director: Darya Khutskaya

GAME XXIX

Director-author of initial work: Nika Vashakidze

Performers: Alexei Alexeev, Yury Vasilyev, Alexandra Verkhoshanskaya, Michel Ioffe, Anton Oshchepkov, Denis Prutov, Mikhail Taratin

Texts

Eurydice
Jean Anouilh
Translated by Yelena Babun

Music
Soundscapes: Vladimir Gorlinsky
Sound Interiors: Kirill Shirokov

Score for Electronic Instrument
Music by Vladimir Gorlinsky, Anton Oshchepkov
Performed by Anton Oshchepkov

“The Song About Bears”
Music by Alexander Zatsepin
Written by Leonid Derbenyov
Performed by Alexandra Verkhoshanskaya and Yury Vasilyev

“I'll Take you to the Tundra”
Written by Mikhail Plyatskovsky
Music by Mark Fradkin
Performed by Alexandra Verkhoshanskaya and Yury Vasilyev

“Iceberg”
Music by Igor Nikolaev
Written by Lidya Kozlova
Performed by Alexandra Verkhoshanskaya

Video Content (screened in the theatre foyer)

“Orpheus. Chapter VII”
Director: Yevgeny Dal
Operator: Andrei Sbitnev
Editing, color correction: Alexandra Korolyova
Composer: Alexander Belousov
First Assistant Director: Mikhail Svyatogor
Lighting Technician: Roman Yudin
Designers: Yevgeny Dal, Maria Fomina
Make Up Artist: Alyona Katkova

“Orpheus. Chapter XII”
Director: Yevgeny Dal
Operator: Andrei Sbitnev
Editing, color correction: Alexandra Korolyova
Composer: Alexander Belousov
First Assistant Director: Mikhail Svyatogor
Lighting Technician: Roman Yudin
Designers: Yevgeny Dal, Maria Fomina
Make Up Artist: Alyona Katkova

Orphic Games. Punk-macrame. Evening 6

Isomorphism (from ancient Greek - ἴσος - "equal, identical, similar" and μορφή - "form"). Isomorphism is defined for sets endowed with some structure (for example, for groups, rings, linear spaces, etc.). In general terms it may be described as follows: an invertible mapping (bijection) between two sets endowed with a structure that is called an isomorphism if it preserves this structure.

A bijection is a mapping that is both surjective and injective. In bijective mapping, one element of a set corresponds exactly to each element of the other set, while an inverse mapping is defined that has the same property. Therefore, a bijective mapping is also called mutually identical mapping (correspondence), or one-to-one mapping.

The function
f : : X → → Y is called a bijection if:
1) It translates various elements of the set X into different elements of the set Y (injectivity). In other words,
• ∀ ∀ x 1
∈ ∈ X , 
∀ ∀ x 2
∈ ∈ X 
x 1
≠ ≠ x 2
⇒ ⇒ f ( x 1
) ≠ ≠ f ( x 2
)
2) Any element of Y has its inverse image (surjectivity). In other words,
∀ ∀ y ∈ ∈ Y , 
∃ ∃ x ∈ ∈ X 
f ( x ) = y

An injection in mathematics is the mapping of set X into set Y f : : X → → Y
whereby different elements of set X are translated into different elements of set Y, that is, if two images under the mapping coincide, then the preimages also coincide:
f ( x ) = f ( y ) ⇒ ⇒ x = y

Surjection (surjective mapping, from French sur - "to", "over" + Latin jactio - "I throw") is the mapping of set X to set Y f:: X → Y
whereby each element of set Y is the image of at least one element of set X.

Isorhythm (German: Isorhythmie) is a technique of composition in European polyphonic music of the 14th and 15th centuries, expressed in the ostinato holding of a rhythmic formula, regardless of the pitch.

Wikipedia