Orphic Games. Punk-macrame
Day Fifth

Orphic Games. Punk-Macrame is a new-processual project of the Stanislavsky Electrotheatre, a single work in 33 acts, presented in 12 productions as if in the space of 12 rooms, the walls of which are decorated with 33 frescos.

The space of the Orphic myth is revealed to you over the course of six days and evenings.

A single stream of 12 productions:

Orphic Games. Punk-macrame. Day 1
Orphic Games. Punk-macrame. Evening 1
Orphic Games. Punk-macrame. Day 2
Orphic Games. Punk-macrame. Evening 2
Orphic Games. Punk-macrame. Day 3
Orphic Games. Punk-macrame. Evening 3
Orphic Games. Punk-macrame. Day 4
Orphic Games. Punk-macrame. Evening 4
Orphic Games. Punk-macrame. Day 5

GAME XXI

Director-authors of initial works: Demyan Vodkin, Pavel Gatilov, Alexandra Moroz, Yelena Muchnaya, Anton Oshchepkov, Anna Khlyostkina

Performers: Nikolai Berman, Maria Beatty, Dmitry Borisov, Nika Vashakidze, Pavel Gatilov, Darya Gusakova, Kaleria Dyomina, Alesya Ignatova, Gulnara Iskakova, Anastasia Klyuchnikova, Darya Koltsova, Vyacheslav Kornichenko, Alina Kotova, Polina Kuzmina, Alexandra Moroz, Yelena Muchnaya, Anton Oshchepkov, Denis Prutov, Svetlana Sataeva, Tatyana Simonenkova, Anastasia Sokolova, Anna Khlyostkina, Dmitry Khramtsov, Darya Khutskaya, Anna Chernovich, Alexei Eidlin

Texts
Eurydice
Jean Anouilh
Translated by Yelena Babun

Orpheus
Jean Cocteau
Translated by Leonid Tsyvyan

Love Storу
Yurik Vargas

Ulrich Hoppelman, or Ants in the Pants
Yurik Vargas

Music

Soundscapes: Vladimir Gorlinsky
Sound Interiors: Kirill Shirokov

“Chorus of Mothers”
Written by Alexei Kokhanov, Yelena Muchnaya, Anna Khlyostkina, Kirill Shirokov
Performed by Maria Beatty, Nika Vashakidze, Yelena Muchnaya, Tatiana Simonenkova

“Father-Son”
Musical Performance
Music by Denis Prutov, Dmitry Borisov, Kirill Shirokov, Alexei Kokhanov, Anna Khlyostkina
Performed by Denis Prutov and Dmitry Borisov

“Mother-Vincent”
Musical Performance
Music by Anton Oshchepkov, Alexandra Moroz, Kirill Shirokov, Alexei Kokhanov
Performed by Anton Oshchepkov and Alexandra Moroz

GAME XXII

Director-authors of initial works: Maria Dorogova, Alesya Ignatova, Igor Makarov, Anna Khlyostkina

Performers: Aruan Anartaev, Anna Chernovich, Yevgeny Dal, Maria Dorogova, Alesya Ignatova, Gulnara Iskakova, Anna Khlyostkina, Dmitry Khramtsov, Igor Makarov, Anton Oshchepkov, Denis Prutov, Tatyana Simonenkova, Sergei Sokolov, Mikhail Taratin, Arina Zvereva

Texts

Eurydice
Jean Anouilh
Translated by Yelena Babun

Music

Soundscapes: Vladimir Gorlinsky
Sound Interiors: Kirill Shirokov

“The Skirt”
Composed and performed by Anton Oshchepkov

“Epoca”
Composed and performed by Gotan Project

L`Orfeo, Act IV - Ahi, Vista Troppo Dolce
Music by Claudio Monteverdi
Performed by Alessandro Carmignani

“Symmetric Matrix”
Music by Dmitri Kourliandski
Performed by Kirill Shirokov

Radio Orpheus
Authors: Dmitri Kourliandski and Oleg Makarov

Songs of Eurydice, “Aria №4”
Music by Dmitri Kourliandski
Performed by Arina Zvereva

GAME XXIII

Director-author of initial work: Nikolai Berman

Performers: Yury Vasilyev, Yevgeny Vikharev, Arina Zvereva, Yevgenia Selivanova, Sergei Sokolov, Mikhail Taratin

On video: Yury Vasilyev, Yevgeny Vikharev, Maria Dorogova, Michel Ioffe, Yevgenia Selivanova, Sergei Sokolov

Texts

Eurydice
Jean Anouilh
Translated by Yelena Babun

Music
“Love Theme from Twin Peaks”
Music by Angelo Badalamenti

“Laura Palmer's Theme”
Music by Angelo Badalamenti

“The Voice of Love”
Music by Angelo Badalamenti

“The Show Must Go On”
Music by Queen
Performed by Yevgeny Dal

Music for title sequence of the Let's Talk show
Music by Vladimir Gorlinsky

Radio Orpheus
Authors: Dmitri Kourliandski and Oleg Makarov

Songs of Eurydice, ”Aria №2”
Music by Dmitri Kourliandski
Performed by Arina Zvereva

Video Content

“Let’s Talk”
Director: Nikolai Berman
Operator: Alexandra Romanova

Video Content (screened in the theatre foyer)

“Orpheus. Chapter VII”
Director: Yevgeny Dal
Operator: Andrei Sbitnev
Editing, color correction: Alexandra Korolyova
Composer: Alexander Belousov
First Assistant Director: Mikhail Svyatogor
Lighting Technician: Roman Yudin
Designers: Yevgeny Dal, Maria Fomina
Make Up Artist: Alyona Katkova

“Orpheus. Chapter XII”
Director: Yevgeny Dal
Operator: Andrei Sbitnev
Editing, color correction: Alexandra Korolyova
Composer: Alexander Belousov
First Assistant Director: Mikhail Svyatogor
Lighting Technician: Roman Yudin
Designers: Yevgeny Dal, Maria Fomina
Make Up Artist: Alyona Katkova

Orphic Games. Punk-macrame. Evening 5
Orphic Games. Punk-macrame.Day 6
Orphic Games. Punk-macrame. Evening 6

Isomorphism (from ancient Greek - ἴσος - "equal, identical, similar" and μορφή - "form"). Isomorphism is defined for sets endowed with some structure (for example, for groups, rings, linear spaces, etc.). In general terms it may be described as follows: an invertible mapping (bijection) between two sets endowed with a structure that is called an isomorphism if it preserves this structure.

A bijection is a mapping that is both surjective and injective. In bijective mapping, one element of a set corresponds exactly to each element of the other set, while an inverse mapping is defined that has the same property. Therefore, a bijective mapping is also called mutually identical mapping (correspondence), or one-to-one mapping.

The function
f : : X → → Y is called a bijection if:
1) It translates various elements of the set X into different elements of the set Y (injectivity). In other words,
• ∀ ∀ x 1
∈ ∈ X , 
∀ ∀ x 2
∈ ∈ X 
x 1
≠ ≠ x 2
⇒ ⇒ f ( x 1
) ≠ ≠ f ( x 2
)
2) Any element of Y has its inverse image (surjectivity). In other words,
∀ ∀ y ∈ ∈ Y , 
∃ ∃ x ∈ ∈ X 
f ( x ) = y

An injection in mathematics is the mapping of set X into set Y f : : X → → Y
whereby different elements of set X are translated into different elements of set Y, that is, if two images under the mapping coincide, then the preimages also coincide:
f ( x ) = f ( y ) ⇒ ⇒ x = y

Surjection (surjective mapping, from French sur - "to", "over" + Latin jactio - "I throw") is the mapping of set X to set Y f:: X → Y
whereby each element of set Y is the image of at least one element of set X.

Isorhythm (German: Isorhythmie) is a technique of composition in European polyphonic music of the 14th and 15th centuries, expressed in the ostinato holding of a rhythmic formula, regardless of the pitch.

Wikipedia