Orphic Games. Punk-macrame
Day Fourth

Orphic Games. Punk-Macrame is a new-processual project of the Stanislavsky Electrotheatre, a single work in 33 acts, presented in 12 productions as if in the space of 12 rooms, the walls of which are decorated with 33 frescos.

The space of the Orphic myth is revealed to you over the course of six days and evenings.

A single stream of 12 productions:

Orphic Games. Punk-macrame. Day 1
Orphic Games. Punk-macrame. Evening 1
Orphic Games. Punk-macrame. Day 2
Orphic Games. Punk-macrame. Evening 2
Orphic Games. Punk-macrame. Day 3
Orphic Games. Punk-macrame. Evening 3
Orphic Games. Punk-macrame. Day 4

GAME XVI

Director-authors of initial works: Varvara Obidor, Mikhail Taratin, Anna Chernovich

Performers: Nikolai Berman, Maria Beatty, Nika Vashakidze, Yevgeny Vikharev, Arina Zvereva, Viktoria Lebed, Alexandra Moroz, Varvara Obidor, Viktoria Petrenko, Denis Prutov, Svetlana Sataeva, Tatyana Simonenkova, Natella Speranskaya, Mikhail Taratin, Anna Khlyostkina

Texts
Eurydice
Jean Anouilh
Translated by Yelena Babun

Music
Soundscapes: Vladimir Gorlinsky
Sound Interiors: Kirill Shirokov

“Discrete Continuity”
Score for Electronic Instrument
Music by Kirill Shirokov
Performed by Alexandra Moroz, Anna Khlyostkina

Radio Orpheus / “Electronic”
Authors: Dmitri Kourliandski, Oleg Makarov, Vladimir Gorlinsky

GAME XVII

Director-authors of initial works: Viktoria Petrenko, Svetlana Sataeva, Andrei Sergeev

Performers: Asya Andrianova, Nikolai Berman, Viktoria Bryzgalova, Yevgeny Dal, Maria Dorogova, Lyudmila Zaitseva, Yekaterina Loginova, Alexandra Moroz, Yelena Muchnaya, Denis Prutov, Svetlana Sataeva, Andrei Sergeev, Alisa Sviridova, Ulyana Tabolich, Maria Fomina, Maria Cherkashina, Yulia Yudina

Texts
Eurydice
Jean Anouilh
Translated by Yelena Babun

Music
“Hotel”
Piece for piano
Composed and performed by Alexandra Moroz

“From Hell”
Piece for piano
Composed and performed by Alexandra Moroz

Score for “Muses”
Music by Kirill Shirokov
Performed by Yekaterina Loginova, Maria Fomina, Lyudmila Zaitseva

Score for “Visitors”
Music by Kirill Shirokov
Performed by Alexandra Moroz, Yelena Muchnaya

“I Dropped a Ring”
Folk song
Performed by Yelena Muchnaya

Chorale
Music by Vladimir Gorlinsky
Performed by Rossia, the Lyudmila Zykina Russian Folk Ensemble

GAME XVIII

Director-authors of initial works: Maria Beatty, Alina Kotova, Pavel Kravets, Igor Makarov, Alexandra Moroz, Maria Fomina

Performers: Aneta Argandevols, Maria Beatty, Yevgeny Dal, Kaleria Dyomina, Alexandra Ioshchenko, Gulnara Iskakova, Ada Karina, Mikhail Kerch, Alina Kotova, Viktoria Lebed, Ulyana Lukina, Igor Makarov, Alexandra Moroz, Yelena Muchnaya, Anna Pankina, Viktoria Petrenko, Vagan Saroyan, Svetlana Sataeva, Yevgenia Selivanova, Sergei Sokolov, Mikhail Taratin, Anna Chernovich

Texts:
Orpheus
Jean Cocteau
Translated by Leonid Tsyvyan

Exegi Monumentum
Alexander Pushkin

Music
Soundscapes: Vladimir Gorlinsky
Sound Interiors: Kirill Shirokov

“Clap Hands”
Performed by Tom Waits

Imitations
Chorus of the Bacchae
Music by Kirill Shirokov
Performed by Maria Beatty, Kaleria Dyomina, Alexandra Ioshchenko, Gulnara Iskakova,Yelena Muchnaya, Yevgenia Selivanova, Anna Chernovich

“The Model”
Written and composed by Karl Bartos, Ralf Hütter, Emil Schult
Performed by Kraftwerk

Video Content (screened in the theatre foyer)
“Orpheus. Chapter VII”
Director: Yevgeny Dal
Operator: Andrei Sbitnev
Editing, color correction: Alexandra Korolyova
Composer: Alexander Belousov
First Assistant Director: Mikhail Svyatogor
Lighting Technician: Roman Yudin
Designers: Yevgeny Dal, Maria Fomina
Make Up Artist: Alyona Katkova

“Orpheus. Chapter XII”
Director: Yevgeny Dal
Operator: Andrei Sbitnev
Editing, color correction: Alexandra Korolyova
Composer: Alexander Belousov
First Assistant Director: Mikhail Svyatogor
Lighting Technician: Roman Yudin
Designers: Yevgeny Dal, Maria Fomina
Make Up Artist: Alyona Katkova

Orphic Games. Punk-macrame. Evening 4
Orphic Games. Punk-macrame. Day 5
Orphic Games. Punk-macrame. Evening 5
Orphic Games. Punk-macrame.Day 6
Orphic Games. Punk-macrame. Evening 6

Isomorphism (from ancient Greek - ἴσος - "equal, identical, similar" and μορφή - "form"). Isomorphism is defined for sets endowed with some structure (for example, for groups, rings, linear spaces, etc.). In general terms it may be described as follows: an invertible mapping (bijection) between two sets endowed with a structure that is called an isomorphism if it preserves this structure.

A bijection is a mapping that is both surjective and injective. In bijective mapping, one element of a set corresponds exactly to each element of the other set, while an inverse mapping is defined that has the same property. Therefore, a bijective mapping is also called mutually identical mapping (correspondence), or one-to-one mapping.

The function
f : : X → → Y is called a bijection if:
1) It translates various elements of the set X into different elements of the set Y (injectivity). In other words,
• ∀ ∀ x 1
∈ ∈ X , 
∀ ∀ x 2
∈ ∈ X 
x 1
≠ ≠ x 2
⇒ ⇒ f ( x 1
) ≠ ≠ f ( x 2
)
2) Any element of Y has its inverse image (surjectivity). In other words,
∀ ∀ y ∈ ∈ Y , 
∃ ∃ x ∈ ∈ X 
f ( x ) = y

An injection in mathematics is the mapping of set X into set Y f : : X → → Y
whereby different elements of set X are translated into different elements of set Y, that is, if two images under the mapping coincide, then the preimages also coincide:
f ( x ) = f ( y ) ⇒ ⇒ x = y

Surjection (surjective mapping, from French sur - "to", "over" + Latin jactio - "I throw") is the mapping of set X to set Y f:: X → Y
whereby each element of set Y is the image of at least one element of set X.

Isorhythm (German: Isorhythmie) is a technique of composition in European polyphonic music of the 14th and 15th centuries, expressed in the ostinato holding of a rhythmic formula, regardless of the pitch.

Wikipedia