Orphic Games. Punk-macrame
Day Second

Orphic Games. Punk-Macrame is a new-processual project of the Stanislavsky Electrotheatre, a single work in 33 acts, presented in 12 productions as if in the space of 12 rooms, the walls of which are decorated with 33 frescos.

The space of the Orphic myth is revealed to you over the course of six days and evenings.

A single stream of 12 productions:

Orphic Games. Punk-macrame. Day 1
Orphic Games. Punk-macrame. Evening 1
Orphic Games. Punk-macrame. Day 2

GAME VI

Director-authors of initial works: Dmitry Borisov, Kaleria Dyomina, Pavel Kravets, Varvara Obidor, Anna Sokolenko

Performers: Aruan Anartaev, Dmitry Borisov, Yury Vasilyev, Demyan Vodkin, Danaya Davydova, Yevgeny Dal, Maria Dorogova, Anton Kasimov, Mikhail Kerch, Pavel Kravets, Alexei Kruglov, Igor Makarov, Alexandra Moroz, Varvara Obidor, Denis Prutov, Mikhail Svyatogor, Andrei Sergeev, Tatyana Simonenkova, Sergei Sokolov, Alexei Eidlin

Texts

Eurydice
Jean Anouilh
Translated by Yelena Babun

Music
Soundscapes: Vladimir Gorlinsky

“Song About a Friend”
Composed and performed by Vladimir Vysotsky

“The Woman Alpinist”
Composed and performed by Vladimir Vysotsky

“The Orange from Pridonye”
Written and composed by Sergei Sokolov
Performed by Sergei Sokolov, Yury Vasilyev, Yevgeny Dal
Musicians: Igor Makarov, Alexei Eidlin, Anton Kasimov, Alexei Kruglov

“The Train”
Composed by Mikael Tariverdiev
Written by Yevgeny Yevtushenko
Performed by Maria Dorogova
Musicians: Igor Makarov, Alexei Eidlin, Anton Kasimov, Alexei Kruglov

“You Have Such Eyes”
Сomposed by Mikael Tariverdiev
Written by Semyon Kirsanov
Performed by Maria Dorogova
Musicians: Igor Makarov, Alexei Eidlin, Anton Kasimov, Alexei Kruglov

“The Girl from Nagasaki”
Written by Vera Inber
Performed by Maria Dorogova
Musicians: Igor Makarov, Alexei Eidlin, Anton Kasimov, Alexei Kruglov

“Discrete Continuity”
Score for Electronic Instrument
Music by Kirill Shirokov
Performed by Alexandra Moroz

GAME VII

Director-authors of initial works: Alexei Alexeev, Dmitry Borisov, Igor Makarov, Alexandra Moroz, Vera Romanova

Performers: Alexei Alexeev, Dmitry Borisov, Yury Vasilyev, Nika Vashakidze, Yevgeny Vikharev, Maria Dorogova, Michel Ioffe, Vyacheslav Kornichenko, Igor Makarov, Denis Prutov, Vera Romanova, Yevgenia Selivanova, Tatyana Simonenkova, Dmitry Khramtsov

Texts

Eurydice
Jean Anouilh
Translated by Yelena Babun

Music
Soundscapes: Vladimir Gorlinsky
Sound Interiors: Kirill Shirokov

Improvisation
Bass: Dmitry Khramtsov
Saxophone: Vera Romanova

Video Content
“There and Back Again”
Director, Idea: Igor Makarov
Animated Cartoon Artist: Yekaterina Kadysheva

“Love”
Director: Michel Ioffe
Operator: Alexandra Romanova

“Spiders”
Directors: Pavel Yemelin, Nadezhda Bushueva

GAME VIII

Director-authors of initial works: Nadezhda Bushueva, Maria Dorogova, Pavel Yemelin, Michel Ioffe, Vyacheslav Kornichenko, Vagan Saroyan

Performers: Nikolai Berman, Dmitry Borisov, Yevgeny Dal, Maria Dorogova, Vyacheslav Kornichenko, Igor Makarov, Alexandra Moroz, Vera Romanova, Vagan Saroyan, Sergei Sokolov, Dmitry Khramtsov

Texts

Eurydice
Jean Anouilh
Translated by Yelena Babun

Music
Soundscapes: Vladimir Gorlinsky
Sound Interiors: Kirill Shirokov

Alouette
Music by Ariel Ramírez
Performed by Paul Mauriat Orchestra

Fragment of the program In the World of Animals
Voice of Nikolai Drozdov

“Death is Not the End”
Written and composed by Bob Dylan
Performed by Nick Cave & the Bad Seeds

Radio Orpheus
Authors: Dmitri Kourliandski and Oleg Makarov

Orphic Games. Punk-macrame. Evening 2
Orphic Games. Punk-macrame. Day 3
Orphic Games. Punk-macrame. Evening 3
Orphic Games. Punk-macrame. Day 4
Orphic Games. Punk-macrame. Evening 4
Orphic Games. Punk-macrame. Day 5
Orphic Games. Punk-macrame. Evening 5
Orphic Games. Punk-macrame.Day 6
Orphic Games. Punk-macrame. Evening 6

Wikipedia

Isomorphism (from ancient Greek - ἴσος - "equal, identical, similar" and μορφή - "form"). Isomorphism is defined for sets endowed with some structure (for example, for groups, rings, linear spaces, etc.). In general terms it may be described as follows: an invertible mapping (bijection) between two sets endowed with a structure that is called an isomorphism if it preserves this structure.

A bijection is a mapping that is both surjective and injective. In bijective mapping, one element of a set corresponds exactly to each element of the other set, while an inverse mapping is defined that has the same property. Therefore, a bijective mapping is also called mutually identical mapping (correspondence), or one-to-one mapping.

The function
f : : X → → Y is called a bijection if:
1) It translates various elements of the set X into different elements of the set Y (injectivity). In other words,
• ∀ ∀ x 1
∈ ∈ X , 
∀ ∀ x 2
∈ ∈ X 
x 1
≠ ≠ x 2
⇒ ⇒ f ( x 1
) ≠ ≠ f ( x 2
)
2) Any element of Y has its inverse image (surjectivity). In other words,
∀ ∀ y ∈ ∈ Y , 
∃ ∃ x ∈ ∈ X 
f ( x ) = y

An injection in mathematics is the mapping of set X into set Y f : : X → → Y
whereby different elements of set X are translated into different elements of set Y, that is, if two images under the mapping coincide, then the preimages also coincide:
f ( x ) = f ( y ) ⇒ ⇒ x = y

Surjection (surjective mapping, from French sur - "to", "over" + Latin jactio - "I throw") is the mapping of set X to set Y f:: X → Y
whereby each element of set Y is the image of at least one element of set X.

Isorhythm (German: Isorhythmie) is a technique of composition in European polyphonic music of the 14th and 15th centuries, expressed in the ostinato holding of a rhythmic formula, regardless of the pitch.