Orphic Games. Punk-macrame
Day First

Orphic Games. Punk-Macrame is a new-processual project of the Stanislavsky Electrotheatre, a single work in 33 acts, presented in 12 productions as if in the space of 12 rooms, the walls of which are decorated with 33 frescos.

The space of the Orphic myth is revealed to you over the course of six days and evenings.

A single stream of 12 productions:

Orphic Games. Punk-macrame. Day 1

GAME I

Director-authors of initial works: Robert Akopyan, Alexei Alexeev, Igor Beloshevsky, Maria Dorogova, Yekaterina Dubakina, Sergei Zhivotov, Ulyana Lukina, Igor Makarov, Alexander Novitsky, Varvara Obidor, Kristina Rabotenko

Performers: Alexei Alexeev, Igor Beloshevsky, Maria Beatty, Nika Vashakidze, Yevgeny Vikharev, Yevgeny Dakot, Danaya Davydova, Kaleria Dyomina, Maria Dorogova, Yekaterina Dubakina, Sergei Zhivotov, Vyacheslav Kornichenko, Alina Kotova, Viktoria Lebed, Igor Makarov, Alexandra Moroz, Yelena Muchnaya, Alexander Novitsky, Denis Prutov, Kristina Rabotenko, Ivan Svatkovsky, Tatyana Simonenkova, Anastasia Sokolova, Mikhail Taratin, Anna Khlyostkina, Dmitry Khramtsov, Alexei Eidlin

Texts

Eurydice
Jean Anouilh
Translated by Yelena Babun

Orpheus
Jean Cocteau
Translated by Leonid Tsyvyan

Preliminary Materials For a Theory of the Young-Girl
Tiqqun
Translated by Stepan Mikhailenko

Music
Sound Interiors: Kirill Shirokov
Soundscapes: Vladimir Gorlinsky
DJ-set: Vladislav Skripko

“The Dreams that Stuff is Made of”
Music by Jóhann Jóhannsson

L`Orfeo / Act V - Ritornello - Questi I Campi Di Tracia
Music by Claudio Monteverdi
Performed by Anthony Rоlfe Johnson and Mark Tucker

GAME II

Director-authors of initial works: Kaleria Dyomina, Alina Kotova, Igor Makarov, Anna Pankina, Viktoria Petrenko, Svetlana Sataeva, Mikhail Svyatogor, Anna Sokolenko

Choreography: Anna Buvina

Performers: Aruan Anartaev, Pavel Arkhipov, Maria Beatty, Yevgeny Vikharev, Demyan Vodkin, Darya Gusakova, Yevgeny Dakot, Kaleria Dyomina, Maria Dorogova, Arina Zvereva, Alesya Ignatova, Ada Karina, Mikhail Kerch, Vyacheslav Kornichenko, Alina Kotova, Viktoria Lebed, Ulyana Lukina, Igor Makarov, Alexandra Moroz, Anna Pankina, Viktoria Petrenko, Denis Prutov, Vagan Saroyan, Svetlana Sataeva, Tatyana Simonenkova, Anastasia Sokolova, Dmitry Khramtsov, Anna Chernovich, Alexei Eidlin

On video: Danila Polyakov, Svetlana Sataeva, Sergei Sotserdotsky, Marusya Zaitseva

Texts

Eurydice
Jean Anouilh
Translated by Yelena Babun

Orpheus
Jean Cocteau
Translated by Leonid Tsyvyan

Music
Soundscapes: Vladimir Gorlinsky

“Symmetric Matrix”
Music by Dmitri Kourliandski
Performed by Kirill Shirokov

Radio Orpheus
Music by Dmitri Kourliandski and Oleg Makarov

Songs of Eurydice, “Aria №2”
Composed by Dmitri Kourliandski
Performed by Arina Zvereva

“A Flower”
Music by John Cage
Deconstruction by Kirill Shirokov

“Vogue”
Written and composed by Madonna, Shep Pettibone
Performed by Madonna

“Professor Umbridge”
Performed by Nicholas Hooper and Chamber Orchestra of London

“Death of the Goose”
Written by Henri Volokhonsky
Music by Vladimir Volkov
Performed by Leonid Fyodorov

Video Content

“Eurydice Returns”
Director: Mikhail Svyatogor
Production Managers: Anna Pankina, Vitaly Rozhdestvensky, Alexander Starkov
Operator: Roman Yudin
Color correction: Alexei Neretin

Orphic Games. Punk-macrame. Evening 1
Orphic Games. Punk-macrame. Day 2
Orphic Games. Punk-macrame. Evening 2
Orphic Games. Punk-macrame. Day 3
Orphic Games. Punk-macrame. Evening 3
Orphic Games. Punk-macrame. Day 4
Orphic Games. Punk-macrame. Evening 4
Orphic Games. Punk-macrame. Day 5
Orphic Games. Punk-macrame. Evening 5
Orphic Games. Punk-macrame.Day 6
Orphic Games. Punk-macrame. Evening 6

Isomorphism (from ancient Greek - ἴσος - "equal, identical, similar" and μορφή - "form"). Isomorphism is defined for sets endowed with some structure (for example, for groups, rings, linear spaces, etc.). In general terms it may be described as follows: an invertible mapping (bijection) between two sets endowed with a structure that is called an isomorphism if it preserves this structure.

A bijection is a mapping that is both surjective and injective. In bijective mapping, one element of a set corresponds exactly to each element of the other set, while an inverse mapping is defined that has the same property. Therefore, a bijective mapping is also called mutually identical mapping (correspondence), or one-to-one mapping.

The function
f : : X → → Y is called a bijection if:
1) It translates various elements of the set X into different elements of the set Y (injectivity). In other words,
• ∀ ∀ x 1
∈ ∈ X , 
∀ ∀ x 2
∈ ∈ X 
x 1
≠ ≠ x 2
⇒ ⇒ f ( x 1
) ≠ ≠ f ( x 2
)
2) Any element of Y has its inverse image (surjectivity). In other words,
∀ ∀ y ∈ ∈ Y , 
∃ ∃ x ∈ ∈ X 
f ( x ) = y

An injection in mathematics is the mapping of set X into set Y f : : X → → Y
whereby different elements of set X are translated into different elements of set Y, that is, if two images under the mapping coincide, then the preimages also coincide:
f ( x ) = f ( y ) ⇒ ⇒ x = y

Surjection (surjective mapping, from French sur - "to", "over" + Latin jactio - "I throw") is the mapping of set X to set Y f:: X → Y
whereby each element of set Y is the image of at least one element of set X.

Isorhythm (German: Isorhythmie) is a technique of composition in European polyphonic music of the 14th and 15th centuries, expressed in the ostinato holding of a rhythmic formula, regardless of the pitch.

Wikipedia