Dear Spectators!


We are cancelling nothing. Throughout the period from October 28 to November 7 we will perform, screen films, and host all concerts as planned.


However, beginning on October 28, spectators will be admitted to performances and events at the Electrotheatre only by presenting a QR code and an ID. The QR code may be presented as a printout or on a smartphone screen.


For those who have not managed to receive a QR code, we will have a free express testing point.
If you wish not to visit the theatre between October 28 and November 7, then, until November 1, you may receive a refund of the full cost of any tickets you purchased in advance. For more information, call us at +7 (495) 699-72-24, or by writing to kassir@electrotheatre.ru.

Photo by Olympia Orlova

Prose

After “The Bridegroom” a story by Yury Mamleev, and writings by Anton Chekhov
Composed and directed by: Vladimir Rannev
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Duration: 1 hour 20 minutes

The premiere took place on 20 November 2017.

Golden Mask Winners 2019: best composer — Vladimir Rannev (Prose, Stanislavsky Electrotheatre)
Golden Mask Winners 2019: Musical theatre/best light designer — Sergrei Vasiliev (Prose, Stanislavsky Electrotheatre)
Participated in the Russian Case of the Golden Mask Festival, 2019
Winner of the Casta Diva, 2018
Moskovsky Komsomolets theatre prize winner, 2018
Association of Musical Critics award, 2018

Vladimir Rannev’s opera is based on two texts, Yury Mamleev’s “The Bridegroom” and fragments of Anton Chekhov’s “The Steppe.” The former, an example of “cruel” prose in the literature of Russian realism, is presented visually. The latter, meditative and virtually event-free, is presented in vocal form.

Written in the early 2000s, Mamleev’s story is simultaneously the hyper-realistic and phantasmagorical exploration of an incident that occurs in a common Russian family. After losing their seven year-old daughter in an automobile accident, the Kondratovs are torn out of their customary comfortable life and are bound to learn to live anew. They see their salvation in the “adoption” of Vanya Gadov, the individual who involuntarily caused the death of their daughter. Full of fear as he enters the family of his victim, this unthinking truck driver, an orphan, turns into a tyrant. The boy Yegorushka, the hero of Chekhov’s “The Steppe,” is traveling to be raised by distant relatives. Nature around him begins to resemble his mother, from whom he is now torn, while the new world awaiting him is unclear and terrifying. Yegorushka must find a way to live in this world, perhaps even to be successful in it – that is, essentially, to transform into Mamleev’s Vanya. We see before us a single person, captured at different moments in his life, before and after entering the world of human relationships.

The tension between the two types of texts, vehement and contemplative, is revealed through the counterpoint of the visual and the vocal. At the same time, they are closely connected in a meaningful way – the point is the complex nature of relationships in modern society.

With English supertitles

The Stanislavsky Electrotheatre is famous for its post-modernist productions, but “Prose” is truly like nothing you've ever experienced. Officially an “opera” by one of Russia's foremost academic composers, Vladimir Rannev, it consists of two parts played simultaneously on stage. One is Anton Chekhov's prose from his novella “Steppe,” which is sung by an A Cappella group. The other is the short story “Groom” by Yury Mamleev, a prominent metaphysical fiction writer of the latter half of the 20th century. The text of “Groom” is projected in comic-strip format on a screen superimposed over the stage. The comic-strip bubbles are dubbed in English, so you will be able to enjoy this production to the fullest. - The Moscow Times

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