Dear Spectators!

We are cancelling nothing. Throughout the period from October 28 to November 7 we will perform, screen films, and host all concerts as planned.

However, beginning on October 28, spectators will be admitted to performances and events at the Electrotheatre only by presenting a QR code and an ID. The QR code may be presented as a printout or on a smartphone screen.

For those who have not managed to receive a QR code, we will have a free express testing point.
If you wish not to visit the theatre between October 28 and November 7, then, until November 1, you may receive a refund of the full cost of any tickets you purchased in advance. For more information, call us at +7 (495) 699-72-24, or by writing to

Inna Dulerain


Dulerain graduated from the Faculty of Computational Mathematics and Cybernetics of Moscow State University in 1991; and earned a Master's degree (Performance Making) in the Social Sciences course at Goldsmith University (London). She studied at Boris Yukhananov's Studio of Individual Directing (MIR), participating in Yukhananov's productions of Garden, Faust, and Golem. Her productions include: the opera Marina with composer Iraida Yusupova (Scriabin Museum, 1992), The Rusalka by Alexander Pushkin (School of Dramatic Art, 1995), Dead-Heat, co-authored with Alexander Dulerain, Olga Stolpovskaya and Dmitry Troitsky (NCCA, 1996), and Desiring Machines with Chara Kolaiti (Goldsmith University Theatre, London, 2013). She has created numerous pieces of performance art. She created the group Women's Women's Cinema, and was a participant in the creation of the CINE FANTOM Film Club. She worked in television as a screenwriter, producer and director (STS, TNT, Rambler TV).

Since 2011 she has lived and worked in England. She began work on the Songs from Oblivion project in 2014.

Roles in the Moscow Drama theatre named after K.S. Stanislavsky
2017Songs From Oblivion